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Generation Franchise: Why Writers Are Forced to Become Brands (and Why That’s Bad)

...I mean thinking very carefully about the extent to which we confuse our personhood and our work. The statement if your books aren’t successful, it’s because you failed to be an interesting public personality is only a hairsbreadth away from the statement if your books aren’t successful, it’s because you’re not a worthwhile person. Both imply the same thing: it’s really you, not your art, that’s being sold.

A much healthier attitude, to paraphrase Fugazi, is to look at the reader (or “the public,” if you prefer) and say, I don’t owe you anything. Just the book. Just the words. A work of art should be its own explanation.


Amen, bro. (*^-‘) 乃
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If you ever want to know how to promote a book, just read chapter 5 of Yellowface by Rebecca Kuang. Seriously. (*^-‘) 乃

(òᴥóし)

3/22/24 12:53 pm
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Ah ha! Knew it all along. We all did. (ง︡'-'︠)ง

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❝Many a flower is born to blush unseen,
And waste its sweetness on the desert air.❞


─ Thomas Gray, Elegy Written in a Country Churchyard, 1751